bite me: the week in bite-sized chunks

Orbit: have posted a response to blogger Leo Grin’s derisive prejudgement of Joe Abercrombie’s new title The Heroes. Grin is tired of modern fantasy and its ‘writers clearly bored with the classic mythic undertones of the genre, and who try to shake things up with what can best be described as postmodern blasphemies against our mythic heritage.’ He then goes on to use Abercrombie as an example of this, likening his First Law trilogy to:

Think of a Lord of the Rings where, after stringing you along for thousands of pages, all of the hobbits end up dying of cancer contracted by their proximity to the Ring, Aragorn is revealed to be a buffoonish puppet-king of no honor and false might, and Gandalf no sooner celebrates the defeat of Sauron than he executes a long-held plot to become the new Dark Lord of Middle-earth, and you have some idea of what to expect should you descend into Abercrombie’s jaded literary sewer.

Maybe it’s because I (whisper it) didn’t actually enjoy Tolkien’s meandering epic – ‘stringing you along for thousands of pages’ is about right - that alternative ending sounds bloody brilliant to me. He doesn’t stop there. Modern fantasy can also be comparable to: ‘artists taking a crucifix and dipping it in urine, covering it in ants, or smearing it with feces’. I bet Tolkien never expected to be in the same group as fecal blasphemy.

Abercrombie’s response is understandably confused and irate. He hasn’t superseded Tolkien and Howard, Grin’s faves (‘I’m reasonably sure Lord of the Rings is still in print’). As Abercrombie aptly puts it in that nihilistic way of his:

In the words of Mr. Pink, “fuck sides, man, what we need is a little solidarity here.” To me, it’s not really about politics, and it’s got nothing to do with sides, just various writers coming at a genre with their own set of unique concerns, influences, interests. Why must it be steak OR chicken? Can I not enjoy both?

Well met. I’ll meet you in the jaded literary sewer.

Angry Robot Books: Editor Lee Harris has been in discussion about the worth of eBooks, which is a worthy topic when a lot of people seem to think that they should be free. The vast majority of people place a helluva lot of worth in the physical copy. Is a book not its content? Would you love a blank page? To sum Harris’ points: Production cost differences between an eBook and a hardback is minimal; it does not spell the death of the publisher (have you read Harry Potter fan fiction?); an eBook (like any book) represents the publisher; it’s the culmination of a shed-load of work between editor/copyeditor/production/designer/marketer etc; it’s the product of investment; it’s priced to make a profit; and it’s worth blood, sweat, profanities and tears to an author.

So, reader, what it’s worth to you, you know, in your heart?

Gollancz: quick one this week – Ben Aaronovitch’s most excellent mash up of ghosts and waterways Rivers of London is in the Sunday Times top ten bestselling hardbacks list. I would link if I could but unfortunately it’s subscription only – a flaw in an otherwise foolproof digital content plan.

bite me: the week in bite-sized chunks

Atom:

Dear teenage self,

If only Atom’s The Atomics, a new blogosphere of reviewers aged twelve to eighteen who will be given the opportunity to see Atom’s latest titles before they go to print, had existed back when you were morosely putting pen to paper. You could have stopped writing about the love that never could be (he’s gay, by the way), and instead wrote reviews and been published in the Atomics section of the Atom website. I wrote about this last month as Atom are great for interacting with their blogging fans (and feeding them buns). They are also keen to let readers know they aren’t just publishing ‘girly’ paranormal romances, they’re currently expanding their list to cater to a breadth of teenage topics, including mystery and adventure. Perhaps this signals a move away from what could be known as their Twilight Era, their ‘tween’ stage on the way to being a fully established imprint no longer under Orbit’s considerable shadow. Atom is all grown up and ready to split (sorry).

Angry Robot Books: these guys have, rather excitingly, just launched their digital short story store and from the 1st December readers will be able to buy and download their authors’ short stories (AKA ‘Nano Editions’). Also, at 59p each or 10 for £3.49, they’re not pricey. Eager to embrace the new opportunities digital technology is presenting publishers with, Editor Lee Harris calls this venture an ‘excellent way for readers to sample unfamiliar authors, without breaking the bank.’ In addition, I realise I’ve said this before but I really do intend to review a title by this publisher if only to justify my place in their Angry Robot Army, where I am currently registering as so low in the ranks I’m only classed as Miffed. Also, great interview with Harris in SFX here.

2010 Urban Fantasy Cover Art Awards: voting is now open for these annual awards by All Things Urban Fantasy and closes on 29th December. Featuring titles published between the 1st January and the 31st December 2010, the 15 categories include Best Male Cover, Most Unique Cover, Cover of the Year 2010 and, my personal favourite, Best Female w/ Animal Cover. Voting also means you’re eligible to win some of the shortlisted titles. I love covers, being a hardcopy romantic, and naturally there are many beautiful pieces of art to choose from, such as artist Chris McGrath’s cover designs for Clay and Susan Griffith’s The Greyfriar, a Steampunk title published by Prometheus Books (and surely based on Mitchell, the vampire from the excellent BBC supernatural drama Being Human?). My favourite cover out of all those in the running has to be The Replacement by Brenna Yovanoff, published by Razorbill and by cover artist Jonathan Barkat, for its uniqueness amongst the usual Urban Fantasy tokes and because it features that which terrifies me the most: a baby in a pram.