bite me: the week in bite-sized chunks

*Writing from somewhere in a hermetically sealed room* As I am now writing my dissertation/dragging it out screaming, these round ups are focused on what dedicated SFF UK imprints are doing to digitally market themselves, their books and their authors to their fans and wider readerships.

Angry Robot Books: have always done things a bit differently, and prided themselves on it (while still managing to publish this year’s Arthur C. Clarke Award winner, Lauren Beukes). Normally you have to take pains to point out (usually in a 5,000 word essay) the brand of a publisher. ‘Look,’ you might say (but less casual, it is an essay), ‘This publisher has been subtly putting their mark on their books for years because in the left-hand corner, they usually sneak in a little swirl design that could be interpreted (by the more optimistic) as the corner of their logo, without being too off-putting to the general reader.’ Angry Robot, on the other hand, have thought ‘sod the general reader’, or, more likely, ‘the general reader will never read our blog, they will never know the true extent to our geekiness.’ So they have taken the notion of the publisher as a brand and run wildly into the night with it. The Angry Robot Army just got a uniform. From Zazzle UK or USA you can now purchase an Angry Robot hat. And they haven’t stopped there (why would they?). You can buy a t-shirt (either ‘Robot’ or ‘Angry’, depending on what relates to you), a Zoo City t-shirt, an iPad case, a skateboard (they have a mixed target audience), bag, mug, pins, a baby grow (get ‘em while they’re young), and, my personal favourite, a skin to (irony alert) make your phone look a bit like a robot. Maybe that’s the secret to branding. Pick a logo your readers will want to wear.

Orbit: granted, this may be something only I (at the height of my dissertation fever) find fascinating, but back in the 1970s horror author James Herbert was not very happy when his publishers, the New English Library, were marketing his work as pulp. He threw in some political and thriller tropes, and intended to elevate his titles above this ‘throwaway’ fiction status. Now, Orbit are revelling in the pulp. Their covers for Philip Palmers books are absolutely gorgeous, with their plastic figurines, bold, white typography and block, vibrant colours, and the great Lauren Panepinto, Art Director, is ecstatically happy about their pulp connotations: ‘His writing has this fabulous pulp sci-fi feel to it’. In my research, I’ve read a lot about authors, editors and readers bemoaning the popular culture representation of sci-fi, that it is all adolescent ray guns and space battles (extreme paraphrasing). But Orbit are embracing it, and pushing this retro ‘pulp’ writing unashamedly, without attaching the throwaway tag so often associated with it. They achieve this rather well by quoting a Guardian review of Palmer’s Red Claw in the post announcing the book’s launch, which states: ‘Red Claw is a rare treat, an intelligent action adventure replete with intellectual rigour, human insight and superb storytelling.’ If this is the modern day pulp, then sci-fi has come a long way.

book tease: Department 19 is the reason you’re alive...

During my brief stint with HarperVoyager there was a certain buzz in the Fiction department about a certain YA action-horror they were about to release. I was lucky enough to have been given a copy. It’s Department 19 by debut author Will Hill (it exists, you know), and it has a bloody, fabulous cover. It’s not out until March 31st so I won’t review it now, but I will say that I really enjoyed it. And that it was one of those books I could have done with as a teenager, having gone from Christopher Pike, Point Horror and R.L. Stine straight to James Herbert (I am still occasionally haunted by the PE teacher and the shears scene), with no safety bridge in-between. This is that gore-soaked bridge.

Here’s a trailer for your enjoyment.


The Book Zone (for boys) blog has a great post about it with some words from the author himself.

I will gift you with the blurb:

In a secret supernatural battle that's been raging for over a century, the stakes have just been raised – and they're not wooden anymore.

When Jamie Carpenter's mother is kidnapped by strange creatures, he finds himself dragged into Department 19, the government's most secret agency. Fortunately for Jamie, Department 19 can provide the tools he needs to find his mother, and to kill the vampires who want him dead. But unfortunately for everyone, something much older is stirring, something even Department 19 can't stand up against…

book review: The Windup Girl by Paolo Bacigalupi

I was excited about this Sci Fi debut and winner of five major international SF awards, The Windup Girl by Paolo Bacigalupi (that’s pronounced BATCH-i-ga-LOOP-ee, fact fans). So excited, in fact, that I prematurely placed it as one of my top 5 SFF books of 2010 (not actually published in 2010). I was a few chapters in at that point and was feeling optimistic, plus the book felt good and heavy and the frankly beautiful cover said it was ‘The Hugo and Nebula award-winning novel’ so all signs were pointing towards it being a winner.

It was released by Night Shade Books in the US and Orbit in the UK. I read Orbit’s paperback, published in December 2010, although in a burst of marketing-prowess, the publisher released the eBook shortly before the print version.

It’s set in 23rd century Thailand, in a world where Europe and America have succumbed to the calorie wars and ‘genehack’ plagues created by bioengineering companies, global warming has caused the oceans to rise and temperatures to soar and engineered seedbanks contain the world’s failing food supply. It’s Steampunk meets Science Fiction. Factories are powered by kink-springs, goods are flown over by dirigibles and cars are things of the past. Thailand is ruled by a child queen, but governed by two rival generals, Pracha, of the Environment Ministry, and Akkarat, of the Trade ministry.

The present tense narrative is split between several key players.

Anderson Lake is farang, an American who is working undercover in Thailand as the manager of a kink-spring factory, whose real purpose is to discover the whereabouts of the government’s seedbank on behalf of his employers, the calorie company AgriGen.

Hock Seng, one of the city’s unwelcome yellow cards - Chinese refugees and survivors of the horrific Malaysian purges - is employed by Lake and wants his factory blueprints, and, always, to survive another day.

Emiko is the eponymous character. Outlawed in Thailand, she’s a beautiful, genetically engineered Japanese windup who’s been designed to serve and obey but was abandoned in the city by her master. Emiko is now forced to work in the sex industry, spending her nights being repeatedly raped for other peoples’ pleasure, but also dreaming of escaping to the rumoured safe haven for ‘New People’.

Captain Jaidee and Lieutenant Kanya are White Shirts, vehemently enforcing the Environment Ministry’s brutal regime on all illegally sourced goods in the city. But Kanya’s loyalties aren’t what they seem.

Beginning with an enraged rampage from one of Lake’s factory megodonts – vast, genetically modified elephants – a domino effect of events occur within the confines of the city’s walls, inevitably leading to tumultuous consequences. Each of the main characters represents a division within the city of Krung Thep. Thai, Chinese, Japanese, the farang Westerners, the engineered windup. Each fraction hates the other with extreme prejudice and sweeping generalisations. This serves to both highlight the ridiculousness of racial intolerance and deprives you of a character you can emotionally invest in.

It’s an environmental social commentary. Man-made plagues have already wiped out much of the earth’s population and narrowed its food supplies, but still prejudices divide the remaining peoples so they are constantly at threat of turning on each other, when another plague or global warming-related disaster is always just around the corner.

Here’s why part of me is in awe of this book: it's unique, and brooding, and well-constructed. The present tense narrative has presumably been chosen to reveal the short-sightedness of the characters, as well as the uncertainty of their future as they all sit on the cusp of some cataclysmic event, waiting for monsoon season, waiting for an excuse to fight, waiting for another plague. They are living in a crucible of tension. The pace and tension are excellently built to the point where even the weather is against the characters, slowly bringing them to the boil amongst the nuances of political plotting. As a reader you feel like you’re watching a series of simmering pans to see which one boils over first. In the end it doesn’t matter, because Bacigalupi has engineered the narrative so expertly that it runs like clockwork, each part working against another towards the same grim conclusion.

And yet, despite my admiration for Bacigalupi’s talent, I can’t bring myself to love this book, because I couldn’t find any joy in it. The plot was excellently executed, but the characters left me cold. Each one has a necessarily dark past that is alluded to, but you still barely feel like you’ve scratched their surface. The characters are all products of their tragic lives, and their current situations are so dire it’s hard to gain any sense of hope, or really feel enough for one of them that you want them to survive their hardships. The only truly relatable character – again, this speaks volumes for Bacigalupi’s overriding message and gift – is the windup girl, Emiko, but her genes force her to go around in circles, never finding the escape she desires. Her rape scenes are harrowing – and even though they are a justifiable point in the plot, they resound through the text and set its bleak tone.

This is why I’m so torn over this book: I can see the writing talent and intent behind the desolate design - no one would want this future - but I also want to be able to root for at least one character, and instead as readers you’re constantly held at arm’s length.

The book is described as ‘hard science (fiction) and magical realism’ by io9, who absolutely loved it. Perhaps as a Fantasy fan, rather than a Sci Fi fan, I’m not the target audience. But Orbit are all for targeting ‘the widest possible readership’, it says so on their site. However, I clearly am of the ‘everything should be sunbeams and rainbows’ perspective, so I’d still encourage you to try this for yourself before accepting anyone else’s verdict, especially mine. I’d love to hear what you thought. Here's a free sample chapter. I do spoil you.

6/10

bite me: the week in bite-sized chunks

I haven’t written a post for ages because of several factors. It was Christmas. I was in a food-induced stupor. It was my birthday (not particularly relevant but I was determined to eat my weight in tiny little cakes and it was very time consuming). A further food-induced stupor followed. My assignments were due in for my MA. I started a new job. So. After all of those excuses, I’m finally back behind the computer and fighting the food haze in order to fill a genteel black hole.

So what have I missed whilst preoccupied with cake?

i09: these guys, whoever they are, have released The Power List, filled with people who ‘rocked science fiction and fantasy in 2010’. These 20 listed individuals have been helping to cajole SFF out of its niche and into the glaring spotlight of the public eye, which is exactly what my dissertation is focussed on (or will be, one day). Even better, rather than simply striving to reach a mass market, they’ve only made the genre richer for the rest of us. Some of those involved in drumming up the geek chic in 2010 are: Steven Moffat who demonstrated that it was possible to do a worthy remake of Sherlock Holmes without resorting to Dick Van Dykian dialects. Oh, and pulled off a freaking ace new series of Doctor Who. Orbit author Paolo Bacigalupi (pronounced Batch-i-ga-loop-ee according to Paulo), whose novel The Windup Girl has won the Hugo and Nebula awards, is on there for proving that ‘hard SF can still be relevant and popular’. I’m experiencing a love-confusion relationship with it at the moment, as I’m not a major fan of SF (barring Douglas Adams, obviously), but it’s engaging and like nothing I’ve ever read before. Also the cover is gorgeous and, while this might sound odd, the book has a weighty feel to it that makes it so satisfying to hold and read. Also it smells great. Review to follow. Another score for Orbit as Publishing Director Tim Holman has been setting up the imprint’s New York branch. Even Sandra Bullock gets a nod for playing self-consciously kooky crossword writer (she wears red boots!) in All About Steve. No wait, for being in SFF movie Gravity directed by Alfonso Cuarón. After Steve she knows the only possible way is up. Head on over to i09 for the full list. Now.

Voyager: the blog has been a bit quiet over Christmas, but they did receive some honey off author Janny Wurts, which is nice. Also, I’m heading down there for a week at the beginning of February as part of my MA, something I’m a little (read: ridiculously) excited about. I really just wanted to share that.

Orbit: on the Orbit blog Robert Jackson Bennett (author of Mr Shivers, reviewed here) wrote this hugely interesting piece ‘On the Death of Geek Culture’, in response to Patton Oswalt’s ‘Wake Up, Geek Culture. Time to Die.’ The essence of the latter is Oswalt saying that everyone can be an expert (ie, a geek) on an aspect of niche culture so no one is. The niche has become the norm. Oswalt wants a return to the niche, pre internet, pre YouTube fan-bashing of classics, pre wiki-bloody-pedia (god, I love that thing). Bennett’s response is interesting because his arguably unique stance, as a Horror/thriller author, is that this would be a Bad Thing. Geek culture is cultural agoraphobia. It’s under the bed sheets with the torch and comic. It’s secular, insular and it’s well and truly down the rabbit hole. I can see both of their points. But Oswalt seems to want a return to a pre-nostalgia driven society so he can be, well, nostalgic (but original). And Bennett is suggesting that SFF and geek culture can be used as escapism, rather than a momentary retreat, which is a bit too dismissive of what is a wide-ranging passion for so many people. Or maybe I can’t agree with him because I don’t feel like I’m ‘trapped in a prison of artifice and quirk’, geek culture isn’t an excuse not to step out of my comfort zone because there is nothing comforting about reading a book with a dragon on the front of it in the middle of a crowd of commuters reading Hilary Mantel. Or maybe that's just my geek-shame speaking. Maybe it's time to push the boundaries and try something new. Like reading Science Fiction instead of purely Fantasy, that would be totally wild.

Angry Robot Books: ever the savvy publisher, this relative newbie in the SFF world is always ready to innovate and do things just differently enough to get noticed. For the entire month of March, the imprint will be accepting unsolicited manuscripts. They’ve hired a team of readers to wade through what will inevitably be an absolute mountain of novels composed of wannabes, no-hopers and, just maybe, a diamond in the rough that otherwise wouldn’t see the light of day. Contain yourselves long enough to pen that bestseller/Angry Robot desk ornament.

bite me: the week in bite-sized chunks

Orbit: who doesn’t love a good chart? Editor Dongwon Song and the team have been playing with a new Google tool this week, the Ngram Viewer. You can ask Google to graph certain terms in their Google Books archive (all of it or just, say, French books) between set dates to see which is the most recurring. Orbit have gone for (naturally) orcs, elves and dwarves (with elves as the clear winner) and, with no need for a Harry Hill-esque fight, for all those crying ‘but what’s more popular, zombies, werewolves or vampires?’ you can now rest easy: it’s vampires. How exciting is this? Finally Google has used its power for the good of humankind and I finally get to find out what’s more popular in the wealth of (Googled) British fiction between 1800 and 2010: a camel, a shoe or the elbow? It turns out the humble shoe is the clear winner (although in 1860 it was a close one when the elbow gained popularity).

HarperVoyager: this week the Voyager have put out a call for reviewers/bloggers to volunteer to review one of their latest titles, Prince of Thorns by Martin Lawrence. They’re currently compiling a list of bloggers who want to review any of their authors’ debut titles in 2011 and if you want to be on their list just email thevoyager@harpercollins.co.uk. It’s a great way of generating free publicity for new authors on their list and getting their titles into circulation – and getting a free book if you’re a blogger. Blurb here:

From being a privileged royal child, raised by a loving mother, Jorg Ancrath has become the Prince of Thorns, a charming, immoral boy leading a grim band of outlaws in a series of raids and atrocities. The world is in chaos: violence is rife, nightmares everywhere. Jorg has the ability to master the living and the dead, but there is still one thing that puts a chill in him. Returning to his father’s castle Jorg must confront horrors from his childhood and carve himself a future with all hands turned against him.

Prince of Thorns is the first volume in a powerful new epic fantasy trilogy, original, absorbing and challenging. Mark Lawrence’s debut novel tells a tale of blood and treachery, magic and brotherhood and paints a compelling and brutal, and sometimes beautiful, picture of an exceptional boy on his journey toward manhood and the throne.

Solaris: free ebook from Solaris this week. You can download the epub or PDF format of The Blue Portal by Eric Brown here, which is nice. It’s less an entire ebook and more a short extract from his upcoming title The King of Eternity but it’s free for the reader and it’s a lovely bit of free publicity for Solaris and Brown.

Best SFF 2010: due to it being the end of the year, a number of ‘Best-of’ lists are appearing which note the top SFF titles of 2010. As I don’t often get SFF titles recommended to me, for me these lists are a great way of seeing what books would have otherwise slipped past me and I can quite happily let them dictate my reading for the next few months. A selection of these lists include: Barnes and Noble, Kirkus Reviews, Amazon.com, Amazon.co.uk and the Good Reads Choice Awards. I’ll do a full blog on these because I think they’re worth comparing (and currently the list is compiled by Orbit, which makes my job easier but also it’s slightly biased towards lists that mention Orbit).

bite me: the week in bite-sized chunks

Angry Robot Books: during the days running up to Christmas, advent, if you will, Angry Robot have been gifting readers through their digital advent calendar with anything from writer Dan Abnett’s secret family bread sauce recipe (awww) to Christmas horror short, The Holiday Man by J Robert King. I think this is a great idea – it’s for the fans, it whets appetites for authors, it brings a sort of warm glowy feeling often associated with Christmas and being given free things, and it fosters a community spirit amongst its readers, also known, rather fuzzily, as ‘brand loyalty’.

self-publishing: a success story: this weekend it was reported that self-published Fantasy author Brian S. Pratt has been earning thousands of dollars from the 17 eBooks he’s publishing on eBook platform for ‘independent writers’, Smashwords. I hesitate to say ‘perhaps this is the way forward’ because I’m an old-fashioned snob at heart when it comes to publishing. Still, authors have complete pricing control over their work, the eBooks are available in all formats and they’ve published over 25,000 authors since they opened for business back in May 2008. Perhaps this IS the way ... no sorry, I just can’t.

Penguin USA: Penguin Daw author Gini Koch has been guest posting on The Author’s Desk blog this week and has some interesting theories about why readers might be put off by Science Fiction (because it’s viewed as ‘hard or scary or boring’). Koch’s titles are the Sci Fi equivalent of the Paranormal Romance. The Alien Series, beginning with her debut novel Touched by an Alien (a title not as misleading as the TV series about angels), centres on marketing manager Katherine ‘Kitty’ Katt who kills a man after he turns into a monster. She’s whisked away by secret agents who reveal to her that this man was mutated by an alien parasite, and that they too are aliens from Alpha Centauri. But, more importantly, they’re sexy aliens. One such agent, Jeff Martini (another case of the Ford Prefect misjudged moniker?), begins stalking Kitty, which she, of course, finds sexy and alluring. It was one of Booklist’s Top Ten adult Science Fiction and Fantasy novels of 2010, so there is obviously something to all this sexy alien malarkey. Interestingly, Koch writes in one guest post about how the majority of her readers are not Sci Fi fans originally. Perhaps this ‘non-threatening science fiction’ as Koch dubs it would be my perfect way in to the genre, although it’s more soft-focused than soft.

Orbit: more festive frolics from publishers. I love a good visualisation. Orbit have put together a lovely visual graphic to examine the difference between the Christmas elf, and the Fantasy elf. Enjoy! They’re also giving away ‘Christmas loot’ regularly in the run up to Christmas, although more excitingly, they’ve changed their logo to reflect the season. Maybe this is only exciting to me.

bite me: the week in bite-sized chunks

Amazon: Tad Williams and Christopher Paolini have been in conversation on Amazon this week. This is mainly news to me because Paolini is no longer the self-published 16-year-old first-time writer who penned Eragon and is now an actual grown up. This makes me feel old. I loved this conversation because it’s two SFF writers eking out each others’ opinions on Fantasy writing and what it means to them. Here’s a snippet of Paolini’s thoughts on why SFF resonates so keenly with readers today and why it will continue to as long as humans don’t spontaneously mutate:
‘Fantasy is the oldest form of literature; the very first stories that humans told while crouched around campfires were stories about gods and monsters and tragic mistakes and heroic feats. Even now, those topics still resonate with us on a primal level, which is one reason I think fantasy will remain popular with readers as long as humans are still human.’

Del Ray: Every Friday Del Ray Spectra post 50 pages of one of their titles up on their home site, Suvudu. This week it’s the turn of Terry Brooks’ Urban Fantasy Running With The Demon, which is a departure from his usual elves and swords Fantasy (warning: ‘elves and swords Fantasy’ does not accurately represent of all of Brooks’ work to date). Anyway, I’m not sure how much credence could possibly come from a geek who uses this word, but this is amazingly cool of Del Ray to give these tasters, and on a Friday too (the perfect day for tasters). They started this on 15th October and the excerpt for every title they’ve done this for is still available. They also welcome comments and requests for specific titles so it’s well worth an interactive look, especially if you’ve been considering purchasing Star Wars fiction as it’s good to be sure it’s worthwhile.

The Black Library: A straight-to-DVD film of Warhammer 40k is being released on Monday 29th November, the aptly named Ultramarines: A Warhammer 40,000 movie. The first film stemming from over twenty years of material, SFX magazine have given it 2.5 stars for being a ‘difficult film to love’.

Voyager: back from their holidays and encouraging readers to bookmark their author Peter V. Brett’s blog and showcasing some truly lovely, minimalist reissuing of Megan Lindholm’s backlist using Jackie Morris’ beautiful artwork to match alter-ego Robin Hobb’s covers. Since returning from holiday, Assistant Editor Amy McCulloch has sent me a Hobb book to review for their blog, The Dragon Keeper, Book One of The Rain Wild Chronicles. This is despite the fact that the reviews so far that I’ve put up here have been negative in parts (and lacking in parts), indicating that they put their readers first above their own wellbeing. At first glance, on a purely visual level, Morris’ artwork alone is enticing, although the metallic covers bizarrely put me in mind of the silver pogs I used to collect at primary school (seriously, what are pogs?).

bite me: the week in bite-sized chunks

Atom: This is the sister imprint of Orbit and it’s mostly known for buying the UK rights to Stephanie Meyer’s Twilight series (it was only a matter of time before that made an appearance here, opinion notwithstanding). But that’s not all they do! No, they also have the foresight to invite bloggers to their offices, feed them buns and give them a presentation on their upcoming titles. Now that is tasty and savvy marketing. But they missed out on a treat (aha) by not having Edward and Jacob faces on each bun and making people choose between them (because this is what people like to do), and have a bun-off. Because visual aids are useful, and I had too much time on my hands, I’ve mocked these up for you. The original photo was from blogger Amanda Rutter, whose Floor to Ceiling books blog is always a good place to while away some quality browsing time. She also talks about the new initiative Atom are starting called the Atomics that involves teenage bloggers – ah to be young. Read more here.

NaNoWriMo: It’s National Writing Month where every kind of (mad) writer sets aside a whole month to write – what, a short story? A poem? A soliloquy? – a novel, of course. It’s an exercise in sheer determination, bloody-mindedness and willpower, and it doesn’t matter what you write as long as it’s 50,000 words long. Even if you’re not participating, you can hop on over to the forum and peruse topics like ‘NaNoWriMo Ate My Soul’, which sounds promising. For SFF, head over to the genre section where you can read threads like ‘Raise someone from the dead, how?’ and, my personal favourite, ‘If you were an abusive umbrella, what you would yell?’

Top 2010 SFF titles announced: Three of the top 5 are Orbit’s - The Bone Place by Amanda Downum about the sex industry and vampires, Feed by Mira Grant (a pseudonym for Seanan McGuire) about zombies and Republicans in the Midwest and The Hundred Thousand Kingdoms/The Broken Kingdoms by N.K. Jemisin, two novels about ordinary people being manipulated by gods in a changing world. There’s also Nnedi Okorafor’s Who Fears Death by Penguin USA’s DAW imprint (the first ever publishers dedicated to SFF) about a post-apocalyptic Saharan Africa and Pegasus’ A Special Place: The Heart of a Dark Matter by Peter Straub, which is actually only a short story/excerpt from A Dark Matter. The full list can be found here in Publishers Weekly.

Solaris book launch: if you’re lucky enough to live in/around London, rather than the publishing-barren Manchester, then you can go to the FREE Solaris’ book launch event at Foyle’s on the 16th November. More information can be found on the Solaris editors’ blog. It’s The End of the Line edited by Jonathan Oliver, a book of Horror short stories set on the underground. This is exactly the kind of book I love – set in the hidden parts of a city and taking the otherworldly element of the underground literally - and I can’t wait to read it. Just check out the blood-smeared cover. Lovely.

review: Chloe Neill’s Some Girls Bite: A Chicagoland Vampires Novel

I’ve already blogged about prejudging the first title in Neill’s Urban Fantasy series, Some Girls Bite, because of the cover designer’s kid-gloves handling of potential readers and now I’ve gone a step further and actually read it.

As I’m currently trying to be influenced by marketing, I chose this particular title because imprint Gollancz’s page on publisher Orion’s website has placed Neill as their author of the month, possibly due to the third title in the series coming out in PB and eBook (Gollancz release the formats simultaneously) this month. Cunning. Although the ‘read more’ option could lead you to something a little more exciting than a slightly muddled list of her books and a two line bio. Neill has also written for Gollancz’s blog for her Gollancz YA genre fiction, and it would have been great to see her comments aimed at her adult readers too. Maybe even a few pictures, a couple of cautionary symbols, but you can’t have everything.

On to the book itself. This is very much your standard opening novel to a series. It tackles the usual issues with introducing the world, the lead and other main characters, the politics and the rules and restrictions on magic (always key with SFF, we like those rules) well enough. It also wends a plot through there too: Merit is a post-grad student who is attacked on campus by a vampire, only to be saved by another. She’s hurtled into a world of supernatural creatures against her will, one that’s filled with vampire politics between the Houses, as they argue over whether they should ‘go public’ and truly reveal themselves to the wider-world even more than they already have. She’s helped by her best friend and housemate, Mallory, who is discovering her own powers of witchcraft as Merit is finding her vampire feet. Merit has to decide whether she wants to join Cadogan House, whose Master, Ethan Sullivan, was the one who changed her, or go ‘rogue’ and not submit her will to Sullivan, who is now her sworn enemy because of what he did. If only he wasn’t so damn sexy... There’s also the mystery to solve of who tried to kill her in the first place and who is continuing to kill young women, putting all of the vampire Houses in a very unflattering public spotlight and risking war between the humans and the vampires.

It all sounds good, but really the plot is a subplot, a thin vein running through the novel whose lifeblood is the narrative about Merit discovering her abilities and trying not to do anything overtly sexual to her maker, Sullivan. Merit is your standard kick-ass heroine, and she’s well written, with the first-person narrative easy and enjoyable to read. She’s witty and strong-willed and everything you could hope for. But because the standard sexual tension between Merit and the brooding male lead is awarded so much page time, although fine, you are left longing for something meatier in the plot itself. There is a lot of set up and there are slapdash character introductions to get through, and it’s clear that Neill wants to introduce us to a world that is full of potential, which she has definitely done. Perhaps because of this, the plot suffers and doesn’t have enough detail in it to really get going, or conclude in a surprising or satisfying manner. Some Girls Bite is ultimately well-written, but some bits feel rushed or overlooked – such as her friend Mallory’s powers and her volatile relationship – and some characters are forced on you as a whole, instead of introduced in increments. But again, this is all paving the way for the rest of the series, and really it just needs to hit its stride. This title just feels like it took a few too many steps back to get a good run-up.

To sum: likeable lead – obviously important – and intriguing love-triangle set up, and lots of room to manoeuvre with the sheer volume of supernaturals tantalisingly alluded to in this volume. If the plot in the next one in the series, Friday Night Bites, takes precedence then this series could be something good.

As a side note, in America Neill is published by NAL trade, part of Penguin USA – an imprint I’ve just found out about this moment, shamefully (what, Roc/Tor isn’t the be all and end all? But they publish Jim Butcher!). They’ve gone for the more adult approach with their covers. Still noticeably Urban Fantasy with a photo of the kick-ass heroine (apparently this is now a trade term) against a suitably urban back-drop, but come the fourth in the series – Twice Bitten - they’ve taken full advantage of the lead’s trademark outfit – black, shiny leather. Her bottom gleams off the page to the extent where I wonder whether they should have taken a leaf from Gollancz’s book and shown their awareness of their racy subject matter - shiny bottom: TICK.



6/10

a sad day for unicorns - Orbit's Chart of Fantasy Art

I’m going to blog soon on Fantasy cover art, particularly Urban Fantasy's recurring themes (weapon/ photorealism/ scantily clad female). But Orbit have brought it all together in one, easy-to-read chart (with colour!), a summer intern’s update on 2008’s chart by an equally hard-working intern (browsing covers is possibly one of my favourite things to do so I feel no pity, only a deep-seated envy). This covers titles from August 2008-August 2009, so the next year’s worth of covers may deliver something completely different. I’m hoping they really mix it up – once you’ve seen one hooded figure holding a glowing orb, you’ve pretty much seen them all. It really could be anything: I’m hoping for a return to the unicorn, an unexpected but welcome trend for desks, and maybe even a trilby or two.

weekly round-up (mini first attempt)

This round-up admittedly makes it look as if it's been all quiet on the SFF front. Please note: more than three note-worthy things have occurred in the world of SFF in the last seven days.

It’s eBook Friday down at the Black Library

HarperCollins’ Voyager are inviting readers to review their new SFF titles, and there might be a free book for you (do it now). I’m definitely going to give this a go (and fail, but hey, free book right?).

Orbit author Brent Weeks in interview with Aidan Moher, fiction-blogger extraordinaire. And also, Hachette Livre (overlords of Little, Brown, the publisher umbrella over Orbit & Co.) have gone for the page turning gadget (insert technical words) thing. Which is like the Amazon one, only faster, clearer, and just as likely to make you want to give them your money.

warning: may contain biting

I really admire Gollancz as they have some amazing authors on their books (although Orion's site would massively benefit from a genre-specific search engine *growl*), but they seem to be catering to readers who don't like their books to surprise them. Harking back to the film industry's 'Contains mild peril' warnings for viewers of a more sensitive disposition, Gollancz have inserted this panel on the cover of the first in Chloe Neill's Chicagoland Vampires series. It gets a big red tick for 'Gothic' and 'action packed' and a little one for 'sexy', if you're feeling that way inclined. In a self-consciously hopeful gesture, 'funny' is awarded a small tick too (and a smiley face. With fangs).

I think this could be applied to pre-existing SFF titles too in order to fully prepare readers for what's in store for them between the covers. Neil Gaiman's American Gods: Brooding: TICK / Epic: TICK / Spiders: tick / Gods: TICK / Sexy: tick.

Or not.

I bought this book online wanting to read some of Gollancz's Urban Fantasy and as Neill had just released her latest in the Chicagoland Vampires series, Twice Bitten, I thought an obvious place to start would be at the beginning. If I'd have seen this book in a shop first I might not have bought it. I'm a cover-judger and I think that publishers can have faith in their readership to not be put off by a book because they weren't expecting the vampire novel to be that *picture of a bat*.

The other elements of the design are standard Urban Fantasy fare. Photo of a girl: TICK / cityscape: TICK / weapon: TICK / absence of fantasy: TICK.

The story begins with Neill's female protagonist Merit joining the ranks of the not-so-undead, so I will now go and read my *smiley face with fangs/lips/picture of a bat* new book, suspending judgement in the hope that there are a few narrative surprises that can't be explained with a few mobile-friendly smileys.