bite me: the week in bite-sized chunks

Genre for Japan/ Floor to ceiling books: Amanda Rutter has been doing something amazing with the SFF genre in recent weeks – helping to raise money to assist relief efforts in Japan. She and a few other highly dedicated individuals have been requesting items to auction off from publishers, editors and authors. Together, they raised £11,203.36, which is, frankly, amazing. Some of my favourite donated items were signed copies of The Heroes by Joe Abercrombie, the Angry Robot e-book collection, a year of books by Tor UK, a signed and stamped edition of I Shall Wear Midnight by Terry Pratchett, the chance for you to be in a novel by Jon Courtenay Grimwood, a signed proof of The Anansi Boys by Neil Gaiman… This actually just turned into a list of what was on offer, because it was all phenomenal, so you might as well just have a look yourself.

Orbit: have launched a unique, visually stunning advertising campaign for Simon Morden’s Metrozone series, about a worldwide nuclear disaster with a Zombieland-esque lead character who has survived by adhering to his own strict rules and ‘equations of life’, and then breaking them. Throughout London graffiti artwork has been appearing, warning citizens of the arrival of the Metrozone, and the pending apocalypse. This is such a brilliant, creative way of advertising a Science Fiction (or any) book, rather than the usual picture of cover and standard ‘have you read this yet you should do’ line. More please.

Locus Awards: the tickets are on sale now for the Science Fiction Awards Weekend, taking place June 24-26 in Seattle. So if you happen to be in the area and want to pop on by (and who wouldn’t?), purchase your tickets now.

Gollancz: are celebrating 50 years of publishing Science Fiction and Fantasy and they’re giving you the opportunity to vote for your favourite Gollancz book. There’s quite a surprising mix on there, including William Heaney/Graham Joyce’s Memoirs of a Master Forger, which I had the pleasure of reading recently and completely fell in love with it. Such a beautiful, whimsical read and highly recommended. If you vote you’re also entered into a prize draw to win a subscription to SFX magazine and the top ten books in the charts this autumn. Worth it.

Tor UK: China Miéville in interview at Only the Best Science Fiction and Fantasy blog, with questions from Pornokitsch, Mithril Wisdom and sffworld.com. Dauntingly eloquent, his verbose discussions include: losing his shit with excitement (who hasn’t?), being a lover of squid, Eygptian shabtis (right?), ‘Is urban the new fantasy’ (what?) and shenanigans. Choice quote: “(Do you mean) ‘The adjective "urban" is becoming increasingly disaggregated from what one might have thought its referent would be, and instead portending various fashionable aesthetic tropes actually contingent to metropolitan quiddity'?” End quote.

Voyager: is a review by me, so here it is again, as if I haven't flashed myself about enough with little regard for any of our dignity.

#lbf11: it’s the London Book Fair next week and I’m going down hellishly early tomorrow to set up the University of Central Lancashire stand in order to wax lyrical about the MA Publishing course and our Letters to Africa project. When I say wax lyrical, I of course mean babble incoherently. I will also be walking past the stands of major publishers attempting to pluck up the courage to see if anyone will speak to me.

A little list: Publishers I would like to see: Voyager, Tor, Gollancz, Orbit (although, they weren’t there last year, but Atom was)… and I think that seeing some independents would be just as exciting, particularly for my dissertation – Sparkling Books and Angry Robot in particular.

If you’re off to the fair, I’ll probably be hovering in the background somewhere near you on my 60th circuit.

bite me: the week in bite-sized chunks

Tor: Amanda Rutter (Floor to ceiling books) did a blog post called ‘We are the main stream’ that received some contention on Twitter, particularly from Tor Editorial Director, Julie Crisp. To sum, Amanda’s post stated that as SFF already has a surfeit of awards, the Man Booker Prize don’t need to recognise the genre for it to be considered mainstream, that it already has seen enough success – The Lord of the Rings, Harry Potter, Twilight – for it to be the mainstream now. Julie Crisp’s point against this was that literary fiction awards like the Man Booker are exclusive when it comes to SFF and it would be advantageous to be recognised by them: ‘Because like it or not, prizes sell books, raise brand recognition, get great PR and attract mainstream readers’. This is why I’m writing my dissertation on the topic of SFF, stigma, and the genres gaining mainstream recognition. Why is there a divide between literary fiction and Science Fiction and Fantasy? Do we quit moaning about it and accept that SFF can no more be awarded a Man Booker than literary fiction could win a Hugo? Or do we look at Attwood’s The Blind Assassin and, as part of it is a Science Fiction novel, claim it as our own?

Voyager: Science Fiction author and blogger Cory Doctorow (Little Brother, For the Win), was interviewed by the BBC this week in the business section for his ‘How free translates to business survival’ philosophy when it comes to DRM. In order to survive in this digital age, he advises that content should be given away free, to benefit both the customer and the author. DRM prevents purchasers from sharing and easily moving content between platforms and individuals are going to pirate anyway, so why not get in there first and generate some positive publicity from it? Doctorow practises what he preaches: his eBooks are available free of charge. Because, ‘By making my books available for free pass-along, I make it easy for people who love them to help other people love them.’ But what about the publisher? Doctorow states the hope is that giving his content away free will encourage people to buy the paperback version because at least they now know he exists. This is an interesting concept, however, although the paperback sales might increase, his titles won’t feature in the eBook market, or, tragically, Amazon’s Kindle recommends or on iTunes’ bestseller list.

Orbit: feel the Jim Butcher love. Orbit had a competition a while back (that I missed) for fans to wax lyrical about their love for Jim and they’ve posted a selection of their favourite responses. Not that I have beef with this (what does that saying mean?), but their, albeit randomly selected winner, had this to say: ‘I devoured them over the space of three weeks! I cannot get enough of them.’ Like I said, no beef here. I just thought I’d share that particular winning gem. Still, it’s got to be better than the embarrasingly excitable: ‘One of the few series I’ve stayed loyal to.’ OK, I admit it. There is a smidgeon of beef. More interesting to you, they’re offering chapter one of upcoming Ghost Story free to read. I always refuse to do this as I want every single word to be new when I’ve waited so long for it (it has also not escaped my notice that Ghost Story is now due out in August. Cry.)

Bookshelf porn: seriously, this is hot stuff. Just check out these utterly beautiful (although perhaps not errotically so) book shelves and collections. I want the one with the bike on it. If this is porn, my book collection, currently occupying most of the wardrobe, drawers, under-the-bed space and floor, is the equivalent of the slightly sticky bargain bin that even the perverts avoid.

bite me: the week in bite-sized chunks

Atom: This is the sister imprint of Orbit and it’s mostly known for buying the UK rights to Stephanie Meyer’s Twilight series (it was only a matter of time before that made an appearance here, opinion notwithstanding). But that’s not all they do! No, they also have the foresight to invite bloggers to their offices, feed them buns and give them a presentation on their upcoming titles. Now that is tasty and savvy marketing. But they missed out on a treat (aha) by not having Edward and Jacob faces on each bun and making people choose between them (because this is what people like to do), and have a bun-off. Because visual aids are useful, and I had too much time on my hands, I’ve mocked these up for you. The original photo was from blogger Amanda Rutter, whose Floor to Ceiling books blog is always a good place to while away some quality browsing time. She also talks about the new initiative Atom are starting called the Atomics that involves teenage bloggers – ah to be young. Read more here.

NaNoWriMo: It’s National Writing Month where every kind of (mad) writer sets aside a whole month to write – what, a short story? A poem? A soliloquy? – a novel, of course. It’s an exercise in sheer determination, bloody-mindedness and willpower, and it doesn’t matter what you write as long as it’s 50,000 words long. Even if you’re not participating, you can hop on over to the forum and peruse topics like ‘NaNoWriMo Ate My Soul’, which sounds promising. For SFF, head over to the genre section where you can read threads like ‘Raise someone from the dead, how?’ and, my personal favourite, ‘If you were an abusive umbrella, what you would yell?’

Top 2010 SFF titles announced: Three of the top 5 are Orbit’s - The Bone Place by Amanda Downum about the sex industry and vampires, Feed by Mira Grant (a pseudonym for Seanan McGuire) about zombies and Republicans in the Midwest and The Hundred Thousand Kingdoms/The Broken Kingdoms by N.K. Jemisin, two novels about ordinary people being manipulated by gods in a changing world. There’s also Nnedi Okorafor’s Who Fears Death by Penguin USA’s DAW imprint (the first ever publishers dedicated to SFF) about a post-apocalyptic Saharan Africa and Pegasus’ A Special Place: The Heart of a Dark Matter by Peter Straub, which is actually only a short story/excerpt from A Dark Matter. The full list can be found here in Publishers Weekly.

Solaris book launch: if you’re lucky enough to live in/around London, rather than the publishing-barren Manchester, then you can go to the FREE Solaris’ book launch event at Foyle’s on the 16th November. More information can be found on the Solaris editors’ blog. It’s The End of the Line edited by Jonathan Oliver, a book of Horror short stories set on the underground. This is exactly the kind of book I love – set in the hidden parts of a city and taking the otherworldly element of the underground literally - and I can’t wait to read it. Just check out the blood-smeared cover. Lovely.