bite me: the week in bite-sized chunks

Orbit: who doesn’t love a good chart? Editor Dongwon Song and the team have been playing with a new Google tool this week, the Ngram Viewer. You can ask Google to graph certain terms in their Google Books archive (all of it or just, say, French books) between set dates to see which is the most recurring. Orbit have gone for (naturally) orcs, elves and dwarves (with elves as the clear winner) and, with no need for a Harry Hill-esque fight, for all those crying ‘but what’s more popular, zombies, werewolves or vampires?’ you can now rest easy: it’s vampires. How exciting is this? Finally Google has used its power for the good of humankind and I finally get to find out what’s more popular in the wealth of (Googled) British fiction between 1800 and 2010: a camel, a shoe or the elbow? It turns out the humble shoe is the clear winner (although in 1860 it was a close one when the elbow gained popularity).

HarperVoyager: this week the Voyager have put out a call for reviewers/bloggers to volunteer to review one of their latest titles, Prince of Thorns by Martin Lawrence. They’re currently compiling a list of bloggers who want to review any of their authors’ debut titles in 2011 and if you want to be on their list just email thevoyager@harpercollins.co.uk. It’s a great way of generating free publicity for new authors on their list and getting their titles into circulation – and getting a free book if you’re a blogger. Blurb here:

From being a privileged royal child, raised by a loving mother, Jorg Ancrath has become the Prince of Thorns, a charming, immoral boy leading a grim band of outlaws in a series of raids and atrocities. The world is in chaos: violence is rife, nightmares everywhere. Jorg has the ability to master the living and the dead, but there is still one thing that puts a chill in him. Returning to his father’s castle Jorg must confront horrors from his childhood and carve himself a future with all hands turned against him.

Prince of Thorns is the first volume in a powerful new epic fantasy trilogy, original, absorbing and challenging. Mark Lawrence’s debut novel tells a tale of blood and treachery, magic and brotherhood and paints a compelling and brutal, and sometimes beautiful, picture of an exceptional boy on his journey toward manhood and the throne.

Solaris: free ebook from Solaris this week. You can download the epub or PDF format of The Blue Portal by Eric Brown here, which is nice. It’s less an entire ebook and more a short extract from his upcoming title The King of Eternity but it’s free for the reader and it’s a lovely bit of free publicity for Solaris and Brown.

Best SFF 2010: due to it being the end of the year, a number of ‘Best-of’ lists are appearing which note the top SFF titles of 2010. As I don’t often get SFF titles recommended to me, for me these lists are a great way of seeing what books would have otherwise slipped past me and I can quite happily let them dictate my reading for the next few months. A selection of these lists include: Barnes and Noble, Kirkus Reviews, Amazon.com, Amazon.co.uk and the Good Reads Choice Awards. I’ll do a full blog on these because I think they’re worth comparing (and currently the list is compiled by Orbit, which makes my job easier but also it’s slightly biased towards lists that mention Orbit).

hardcopy romantics: cover art

Richard Ford’s Occult Steampunk novel (author’s own genrefication) Kultus from Solaris has had its cover art revealed this week, and the author is clearly pleased. By talented artist Frazer Irving, best known for his comic artwork, the graphic-novel influence can be clearly seen. I love this cover, it’s unique and it’s a world away from other photorealistic genre covers out there, which are even used for fellow Steampunk titles like Gail Carriger’s Parasol Protectorate series from Orbit (which are beautiful, striking covers). It also makes a nice change to have the lead, particularly one that is happily described as a ‘bastard’ in the blurb, look like the thuggish fellow he is, instead of Paul Bettany.

Book blurb: Thaddeus Blaklok – mercenary, demonist, bastard and thug-for-hire – is pressed into retrieving a mysterious key for his clandestine benefactors. Little does he know that other parties seek to secure this artefact for their own nefarious ends and soon he is pursued by brutal cultists, bloodthirsty gangsters, deadly mercenaries and hell spawned monsters, all bent on stopping him by any means necessary.

In a lightning-paced quest that takes him across the length and breadth of the steam-fuelled city of Manufactory, Blaklok must use his wits and his own demonic powers to keep the key from those who would use it for ill, and open the gates to Hell itself.

bite me: the week in bite-sized chunks

Atom: This is the sister imprint of Orbit and it’s mostly known for buying the UK rights to Stephanie Meyer’s Twilight series (it was only a matter of time before that made an appearance here, opinion notwithstanding). But that’s not all they do! No, they also have the foresight to invite bloggers to their offices, feed them buns and give them a presentation on their upcoming titles. Now that is tasty and savvy marketing. But they missed out on a treat (aha) by not having Edward and Jacob faces on each bun and making people choose between them (because this is what people like to do), and have a bun-off. Because visual aids are useful, and I had too much time on my hands, I’ve mocked these up for you. The original photo was from blogger Amanda Rutter, whose Floor to Ceiling books blog is always a good place to while away some quality browsing time. She also talks about the new initiative Atom are starting called the Atomics that involves teenage bloggers – ah to be young. Read more here.

NaNoWriMo: It’s National Writing Month where every kind of (mad) writer sets aside a whole month to write – what, a short story? A poem? A soliloquy? – a novel, of course. It’s an exercise in sheer determination, bloody-mindedness and willpower, and it doesn’t matter what you write as long as it’s 50,000 words long. Even if you’re not participating, you can hop on over to the forum and peruse topics like ‘NaNoWriMo Ate My Soul’, which sounds promising. For SFF, head over to the genre section where you can read threads like ‘Raise someone from the dead, how?’ and, my personal favourite, ‘If you were an abusive umbrella, what you would yell?’

Top 2010 SFF titles announced: Three of the top 5 are Orbit’s - The Bone Place by Amanda Downum about the sex industry and vampires, Feed by Mira Grant (a pseudonym for Seanan McGuire) about zombies and Republicans in the Midwest and The Hundred Thousand Kingdoms/The Broken Kingdoms by N.K. Jemisin, two novels about ordinary people being manipulated by gods in a changing world. There’s also Nnedi Okorafor’s Who Fears Death by Penguin USA’s DAW imprint (the first ever publishers dedicated to SFF) about a post-apocalyptic Saharan Africa and Pegasus’ A Special Place: The Heart of a Dark Matter by Peter Straub, which is actually only a short story/excerpt from A Dark Matter. The full list can be found here in Publishers Weekly.

Solaris book launch: if you’re lucky enough to live in/around London, rather than the publishing-barren Manchester, then you can go to the FREE Solaris’ book launch event at Foyle’s on the 16th November. More information can be found on the Solaris editors’ blog. It’s The End of the Line edited by Jonathan Oliver, a book of Horror short stories set on the underground. This is exactly the kind of book I love – set in the hidden parts of a city and taking the otherworldly element of the underground literally - and I can’t wait to read it. Just check out the blood-smeared cover. Lovely.

bite me: the week in bite-sized chunks

Orbit UK: completely bypassing the awkward ‘where’s my book?’ author queries, Orbit are releasing the eBook version of Paolo Bacigalupi’s award-winning debut novel The Windup Girl before the paperback in the UK. Print runs be damned. This title has won an astounding five major international SF awards this year, including Hugo, Nebula and Locus. In the words of Bella Pagan at Orbit, read a free extract HERE. It’s set in the near future of Thailand and the world’s food stuffs are depleting. What will America do? PB out 2nd December, for the hardcopy romantics still out there.

Black Library: their eBook Fridays have proved hugely successful – the first three they’ve put up, First & Only, Nightbringer and the first issue of Hammer & Bolter have been downloaded over 25,000 times. Sheesh. The best thing about it? They’re all still available. Have a look-see at the latest, Trollslayer, the first in the acclaimed Gotrek and Felix series. There’s also an audio book of their most popular title, Horus Rising. It’s probably no coincidence that they’ve launched their digital section this week with pre-ordering available. A lesson for other specialist publishers out there.

Solaris: Dark Fantasy writer, Gail Z. Martin’s blog is currently going with the Halloween theme as she’s detailing her Days of the Dead Tour. Go-to for free excerpts and a list of her guest blogs as she’s gone guest-post mad. Author of The Chronicles of the Necromancer, Martin is a lesson in exhaustive self-promotion. I need to read her.

Gollancz: is going competition MAD on their Facebook page. I’ve been entering but have so far remained prize-less. You can’t join their page, but you can coyly express your ‘like’ of them. Current competition is a Halloween one – two books in Suzanne McLeod’s Spellcrackers series, and some sweets apparently. As is Gollancz’s way, they’re using the billboard promotional method for their book covers and McLeod is no exception – her site spellcrackers.com is proudly perched between the title and her name on the front of the book. I am coming around to the idea that Gollancz are cheekily bold, rather than quite mad.

how many books can you fit on the head of a pin?

I know this is supposed to be a Bad Thing but I love judging a book by its cover. In this increasingly digital age (as we keep being told), covers might be the last bastion against against the mounting need to cram all the books into a teeny little living space. Or, to put it another way, it's the greatest and most exciting challenge a publisher now has to face: how to market a book without a cover.

If done well, a cover can be a great marketing tool. Blurbs, carefully wrought designs, author quotes, and, if you're lucky, a lovely big picture to gawp at and reference in case you forget what the main protagonist looks like.

It can also be a dead giveaway that you're reading a fantasy about a big dragon who enjoys shouting things like 'puny mortals!' and burning villages to the ground (thanks, Hobb).

But publishers are sly. They know that some of us like our Science Fiction, Fantasy and Horror in anonymous jackets that could easily pass for semi-intelligent thrillers or modern romances (shudder). Many want covers and jackets that will blur beneath the common commuters' eye and don't invite judgement on the reader. This is also a great marketing tool if you want to spread the net a little wider and target the fabled Mass Market. One point to eBooks then. You can't judge a book by its eReader (although, interestingly, it is possible to judge a person).

But what will this do to the content? And will happen to the content that the SFF 'fan' has been loyally consuming for all these years? Those of us who have been here from the start, since before being a geek became cool? Who still aren't cool? When SFF publishers begin to commission with everyone in mind, will these genres suffer, and be resigned to the subbasement of SFF in place of the new favourite kids, Urban and Dark Fantasy? Suddenly everything might become about vampires and catering to fragile tweenage hearts.

Or will it? There are still license-based imprints out there like Games Workshop's Black Library, or midlist imprints like Solaris, who are doubtful to ever snub Warhammer in favour of another Urban Fantasy about a kick-ass girl fighting sexy demons.

Anyway, really a cover shouldn't matter, or the format either. A book is made up of its content. But I still want to be able to judge a book by its appearance (on screen or off). I want to know that publishers are working hard, keeping on their toes, to make their content look appealing. To publish content they can make look appealing. And I want to know how they're doing it, and I want to be there when they do so that I can make my choice.

Join me. Revel in it. Judge.